Showing posts with label Domaine de Montesquiou. Show all posts
Showing posts with label Domaine de Montesquiou. Show all posts

Monday, 16 November 2015

Domaine de Montesquiou - a fabulous quartet of dry and sweet Jurançon

My Facebook friends (no doubt some of whom are also readers of this blog) will have seen a post from me a few weeks ago, extolling the virtues of a rather fabulous wine, which was a sample sent to me along with my previous pallet of wines from Domaine de Montesquiou. Problem was that it arrived in December 2014 - and I only actually discovered it a couple of months back! Furthermore, the label told practically nothing about what was in the bottle, and I was reluctant to open it until I knew a little more about it. A flurry of email correspondence with winemaker Fabrice Montesquiou eventually revealed that it was a (almost) dry white, essentially a Jurançon Sec, but with more residual sugar than allowed for it to qualify for that particular AOP. Hence, it is labelled as a "humble" Vin de France. Of course, as I have often opined, some of France's very best wines are - for a variety of reasons - labelled as such. And this was a very special wine indeed. And although that wine was from the 2013 vintage, I have managed to get my hands on some of the 2014, which is every bit as good! I'll explain in more detail a little later.

Meanwhile, here's a photo which illustrates what I have been occupying myself with, over the last few evenings.................


Yes, my latest pallet from Domaine de Montesquiou has arrived this week! All are from the 2014 vintage, and mostly bottled less than 2 months ago, so surely yet to really get into their stride. But boy are they good already! Here are my tasting notes.............

Domaine de Montesquiou l'Estela 2014 Jurançon Sec
50% Gros Manseng, 10% Petit Manseng, 40% Courbu. Clear, pale, shiny silvery-gold colour. The nose offers a complex array of freshly-cut lime, orange peel and hay aromas, delightfully prickly and with an almost palpable minerally, smoky depth - a fabulous nose! Hints of peach/apricot add just a suggestion of richness, which manifests itself on the palate and offers a generosity that I haven't encountered in previous vintages of this cuvée. It really is delightfully concentrated and intense, yet wonderfully fresh and mouth-watering, in a zesty, appley, earthy, mineral sort of way. In fact, you would be hard pressed to find a wine of this sort of structure and class at twice the price. An absolute delight and by some distance the best vintage of this cuvée that I have tasted. 13.5% abv. £9.95.

Domaine de Montesquiou Cuvade Préciouse 2014 Jurançon Sec
60% Gros Manseng, 30% Petit Manseng, 10% Camaralet. Bright, medium-pale, limpid gold colour. Intense! And very complex, too - aromas of lime oil and orange peel, with a generous portion of apple pie with raisins and hints of exotic fruits, not to mention a pot-pourri of herbs and spices. Having been bottled in September 2015, at the time of writing (November 2015) it takes a full day or more after opening to really open-up, but one's patience is richly rewarded. Although this wine spends 10 or so months in barrel, the oak influence is ever so subtle, allowing the fruit to shine through on the palate. It is concentrated but bone-dry (with just 2 g/l residual sugar), beautifully balanced, taut and structured, full of zesty lime/orange fruit, herb and spice and even a hint of grape tannin. As ever, though, the qualities that shine through more than anything are the intense, stony/steely minerality and tab-tingling acidity, which carry the fruit all the way through to a very long finish. Another truly life-affirming wine. 14.0% abv. £11.95.

And now, a little background information about *that* wine............

To qualify for the Jurançon Sec appellation, the residual sugar in the finished wine must not exceed 4 grammes per litre. Depending on picking dates (the harvest is carried out in several tranches or "tries" - sometimes by necessity, as they have a limited number of vats) the potential alcohol levels in the grapes can be anywhere between 13% and 16.5%, especially for Petit Manseng. For the later-picked grapes, converting all of the sugars to alcohol can prove problematic, at least at the relatively low fermentation temperature Fabrice prefers. Because of this,  they occasionally experience a "stuck" alcoholic fermentation with at least one of the vats intended for Cuvade Préciouse. And whilst it is possible to kick-start the fermentation again (by increasing the temperature) Fabrice feels that this would not be true to the style of Jurançon Sec he is looking for. The upshot is that, with a little blending, as and when necessary prior to barrel ageing, he is able to make two distinct cuvées; Cuvade Préciouse, from (mostly) earlier-picked grapes, with 2 g/l of residual sugar and 14.0% abv, and Terre de France, from the later-picked grapes, with 10 g/l of residual sugar and 14.5% abv. Just a few barrels of the latter are made (no more than 4, so by my calculation, around 1200 bottles) and then only when the vintage conditions dictate. 2013 was the first vintage, and it was made again in 2014, but none was made in 2015 - so if you want some, don't wait too long!

This certainly isn't your typical "super cuvée" - it is a wine made largely by necessity, rather than design. And although the residual sugar means that it can only qualify as a "humble" Vin de France, it exhibits all of the qualities of Cuvade Préciouse - only with the volume turned up to 11(!) Yet despite its inherent richness and concentration, it possesses all of that wonderful acidity and minerality so typical of great Jurançon Sec, so it should (in my humble opinion) be treated as an essentially dry - albeit extremely versatile - table wine. Here's my tasting note................. 

Domaine de Montesquiou Terre de France 2014 Vin de France
65% Gros Manseng, 30% Petit Manseng, 5% Camaralet. The nose offers masses of honeyed, sweet-smelling quince and apricot aromas, laced with aromatic herbs and spices, orange blossom, honeysuckle and a judicious lick of oak. And yet it still has that lifted lime oil and mineral quality so typical of Jurançon Sec - you can literally smell the acidity and immense freshness, even before you take a sip. Indeed, for a wine with such immense concentration (and an abv of 14.5%) it really is quite staggeringly juicy and refreshing, with barely a hint of alcohol, and the most complex array of flavours you are ever likely to encounter in a young, dry white wine. It manages to combine the same zesty lime/orange fruit, herb and spice qualities as Cuvade Préciouse, not to mention similar levels of acidity and minerality, whilst achieving perhaps even more depth and elegance. I'm not sure if my enthusiasm for this wine is quite clear enough, but just in case it isn't, I can tell you without a shadow of a doubt that it is the loveliest white wine to have passed my lips this year - indeed for many a year. If it were Burgundy (for there are indeed certain structural similarities) it would be a top 1er Cru at the very least. It really is utterly wonderful and more-ish. And at the price, a really quite remarkable bargain! 14.5% abv. £11.95.

And last but certainly not least..........

100% Petit Manseng. The grapes for this wine are harvested deep into November, by which time they have begun to dry on the vine, concentrating the flavours, whilst retaining all of the bracing acidity which is the hallmark of Petit Manseng. The colour is a very enticing shiny, rich yellow-gold. Goodness me, what a fabulous nose! The intensity pricks (or more appropriately caresses) the senses, offering a veritable orchard-ful of sweet apple, apricot, mango and passion fruit aromas, with further notes of dessicated orange peel, root ginger, cove and fig. Trust me, it's all in there! Take a sip and you are transported to vinous heaven. It is palpably sweet, luscious and full-bodied, whilst at the same time supremely balanced, courtesy of the most glorious, tangy, citrussy acidity and earthy minerality. You could *almost* imagine drinking this as a main course wine (think chicken, duck or sweet and sour pork), but the rich, sweet/tangy palate makes for a match made in heaven for starters such as patés, fois gras or smoked mackerel. Or of course it is equally suited to desserts (lemon or apple-based tarts and puddings) or soft cheeses. A stunning wine! 13.0% abv. £15.95.

Fabrice Montesquiou amongst the vines - taken during my visit in June 2006.
Time for another visit in 2016, methinks!


Incidentally, during my recent flurry of correspondence with Fabrice, I asked him about Camaralet. This is a grape variety mentioned on most of the back labels of Domaine de Montesquiou's wines (except Terre de France, which doesn't mention any varieties), although I had never seen it listed in any of their "fiche techniques". Indigenous to south-west France, Camaralet is apparently very rare, these days, even in its home region, to the point where it has recently been on the verge of exctintion. Although known to have a fine aromatic and flavour profile, it has small berries in loose clusters and generally produces low yields, and is also susceptible to grey rot. But with the high trellising favoured by Domaine de Montesquiou (which allows the air to circulate freely around the vines) this is obviously less of a problem, although yields are unpredictable and vary from vintage to vintage. They planted more Camaralet vines in 2014, which should come into production in 2017 or 2018. It's great to see such passion for reviving these old, almost-forgotten grape varieties, from one of the finest growers it has ever been my privilege to be associated with.

All of the new wines from Domaine de Montesquiou are now available for you to buy (just click the links above the notes) - and bargains every one of them!
                               

Tuesday, 12 March 2013

Sensational new Jurançons from Domaine de Montesquiou

Apologies for the rather "sensationalist" headline, but there are occasions when only a tabloid-style title will suffice! And this is one of those occasions, because each time I take delivery of the latest vintages from Domaine de Montesquiou, I am filled with genuine excitement about the mouth-watering wines that lay in store for me. They actually arrived about a week and-a-half ago, but I have been so busy with various tastings and other commitments (wine, family, a poorly mother) in recent weeks that I have barely had time to sit and write them up until now. And my word are they good - indeed, collectively the finest set of wines I have taken from this grower since I started working with them. Which is remarkable, because they have always been nothing less than brilliant in the past. And as if I needed confirmation, both of the dry whites went down extremely well in the tastings I have presented over the last week (as did the 2009 Grappe d'Or, last evening in Grimsby). These are now available via the LSFineWines website, so if you have never tried them, give them a go - and prepare to be bowled over!

Clear, pale silvery-gold colour, with a lovely nose of freshly-cut lime, grass, nettles and pea pods. Very floral, too, redolent of spring flowers and elder blossom, dried herbs and a real sense of stony minerality. The flavours are intensely fresh and focused, zingy rather than pithy, with flavours of lime and lemon zest, hints of tart apple and a touch of peach. Medium-bodied, but with excellent concentration of fruit, wrapped around a core of intense minerality and quite breathtaking acidity. Subtle ginger and spice notes linger on a persistent, mouth-watering finish. If you appreciate delicate, nervy whites – light and fresh on the palate, yet with tremendous depth and complexity - then you will love this wine. Furthermore, whilst it is wonderful to drink on its own, it is also a superb match for all manner of foods. Wonderful to drink now, or over the next couple of years - and really benefits from plenty of air. Amazing quality/price ratio, and one of the finest bargains on our list.

Quite a deep, rich gold colour, courtesy of later harvesting than l'Estela (above) and 10 months in a mix of new and used barrels. This really is a spectacularly lovely and considerably complex wine, with such an evocative nose, combining baked apple and peach, lime oil, banoffee pie and brioche aromas, with intense minerality. Subtle hints of cinnamon, clove and fresh figs, together with beautifully-judged oak contribute even more layers of complexity. The palate shows a quite wonderful concentration of all that goes before it on the nose - at the same time fruity, honeyed and rich, yet simply loaded with intense minerality and nervy acidity, whilst a hint of wood and grape tannin adds depth and makes for a rounded, rich and supremely elegant wine. I would lay money on any lover of fine white Burgundy going a bundle on this and wondering why they pay such large sums of money, when they could have this for a fraction of the price. This really is a stunning wine. 14.0% abv. An absolute steal at £12.50.


Domaine de Montesquiou Grappe d'Or 2011 Jurançon
The grapes for this wine are harvested deep into November, by which time they have begun to dry on the vine, concentrating the flavours, whilst retaining all of the bracing acidity which is the hallmark of Petit Manseng. The colour is a very enticing shiny, rich yellow-gold. The nose has everything, from tangy lemon and lime oil, baked apples and apricots, through to figs, toffee, ginger and exotic spices and herbs. And it almost goes without saying that you can smell the minerality. The palate hits you with a mouthful of sweet, rich apricot and peach flavours, with a viscous but never gloopy texture, and all manner of fresh and preserved citrus and tree fruit flavours. And then, milliseconds later, you get that incredible wave of nervy acidity and steely minerality, followed by a warm, spice and ginger hit at the end. Not that anything sticks out, as it all comes together beautifully, in a wine that keeps you coming back for more. And with every sip, it reveals yet more layers of complexity and wonderfulness! This is the 7th vintage of this wine that I have had the pleasure of writing-up, and not one has ever failed to bowl me over. And this one is no different. I don't know that it is actually better than those that preceded it, but it is certainly as good. It really is a quite stunning wine, and one which I could never tire of drinking. 13.0% abv. One of the great bargains of the wine world at just £16.50 - for a whole 75cl bottle, not one of those silly halves!

Domaine de Montesquiou Vendanges Tardives 2010 Jurançon
Read my note on Grappe d'or (above) and then add on another month or so of hang time on the vines and a few more superlatives, and this is what you get. Several more notches up the ripeness scale, this really is a super-concentrated version. Pure 24 carat gold in colour, with a nose that possesses everything that Grappe d'Or has, along with candied fruits of all descriptions and colours, along with notes of toasted almonds, diesel and woodsmoke, basil and oregano. A hint of honey even suggests a touch of botrytis (on both the nose and palate) whilst the acidity is definitely more tangerine and seville orange than the lemon/lime of its sibling, still wonderfully bracing and tangy, but richer and fuller, and with all sorts of apple crumble, honeycomb, raisin and mixed spice things going on. In terms of richness, ripeness and balancing acidity (and simply as a guide, rather than a flavour comparison) I would liken it to a Mosel Trockenbeerenauslese - and at £28 for a full 75cl bottle, it really does provide amazing value for money. Plus of course it will keep for weeks, or even months in the fridge, once opened - if you can resist, that is! A quite extraordinarily lovely wine. 14.0% abv. £27.95.

More shortly...........
                     

Thursday, 31 January 2013

A glorious dry Jurançon

Well, I was supposed to be publishing my notes on a rather wonderful tasting of no less than 19 wines from Domaine Tempier this evening, but that will have to wait until tomorrow, for events have been rather overtaken by a hastily compiled note on the dregs of a rather wonderful white wine........

Domaine de Montesquiou Cuvede Préciouse 2007 Jurançon
I opened and decanted this on Tuesday evening, just before taking it to our monthly wine and food gathering at a local restaurant. And it showed very nicely..... but not as nicely as it is doing now, a full 2 days after the event. It really has come to life in a most glorious way, showing all of that wonderful Jurançon terrroir that I know and love. At the time (i.e. 2 days ago) someone opined that perhaps it has lost some of its youthful exhuberance and may already be past its peak. But I suggested that, with a stucture like this, it may be a wine that would benefit from more ageing and evolve in a rather nice way. And the fact that it is showing so beautifully, a full 2 days after opening, would seem to back up my theory.

It is almost like a steely dry version of the sweet Grappe d'Or from the same grower - a serious wine, with intense lime oil, toffee apple, raisin and slate aromas, mingled with hints of vanilla, clove, root ginger, star anise and freshly-baked bread. The palate offers the hallmark rich, almost painfully intense Jurançon flavours of lemon, lime and apple, with considerable depth and minerality. There's even a touch of peachy/apricotty richness to it, which gives it a roundness and texture that is rare in such an essentially dry wine, making for a flavour profile that is simply crammed with complexity. And oh, that wonderful, searing lime and mineral acidity - it really does take you by the scruff of the neck and shakes some life into you! It is such a fabulous, thrilling wine, full of restrained power, breeding and sheer joie de vivre! In fact, I am prepared to be bold and suggest that it will evolve nicely for several more years........ if you have any, which unfortunately I don't, because this was my last bottle. In fact, neither do I have any 2008, 2009 or 2010 left, which is a shame, because all have been of a similar quality (and similarly ageworthy). The good news is that I have the 2011 arriving within the next 2 or 3 weeks (projected price around £12.95). So I'd better make sure I tuck some away for a few years!
          

Sunday, 18 December 2011

Time for a tidy-up - or how sweet wines taste several weeks or months after opening

I have a weakness for sweet wines of just about every description. The problem is that, although TLD and I certainly don't drink to excess, we tend to have so many bottles of wine sitting around in the kitchen at any given time (some brought back from various tasting events, others that we have opened and not quite finished) that some of them tend to get hidden or forgotten. So I decided recently that it was time to have a bit of a clear-out and make some much-needed extra space in the kitchen. Which provided an opportunity to prove (or disprove) my theory that many sweet wines actually improve for a good while after opening - in some cases, for a very long while. So here are my notes on around 15 wines, the remains of which I have tasted over the last couple of days, beginning with a trio of delicious German Rieslings......


Deinhard Winkeler Hasensprung Riesling Auslese 1976 Rheingau
4 weeks open. My oh my, that colour - a perfectly brilliant, limpid amber/gold - not bad for a 35 year-old sweet white wine! I've been privileged to taste a fair few German wines from the fabled 1976 vintage and none of them have ever disappointed. And this one is no different. The nose offers a wonderfully complex array of aromas, notably orange marmalade, roses, allspice, fenugreek and toffee, with just a hint of trademark kerosene, whilst the palate is alive with flavours of soft citrus, butterscotch, spices and herbs and a simply mouth-watering backbone of tangy acidity and minerality. The label doesn't say what the alcohol is, but I guess it must be no more than 9 or 10% abv. Whatever, this really is an exquisite wine, which hasn't suffered one bit from being open for around 5 or 6 weeks. Oh how I wish there was more than half a glass for me to enjoy!

Dr. Burkin-Wolf Wachenheimer Bohlig Riesling Beerenauslese 1989 Rheinpfalz
4 weeks open. This is a similar colour, though perhaps just a bit cloudy, though this in no way detracts from the enjoyment. The intensity level is certainly a notch higher, as can be expected from this "Pradikat" level (and from another great year, of course), with super-concentrated aromas and flavours of orange and lime, again something distinctly floral, and again with stoney minerality and a simply wonderful, almost Madeira-like tang, combining a touch of salinity and stunning citric acidity. 10.0% abv. It isn't necessarily a better wine than the 1976 Auslese - just different, and just as good. It has been a joy to revisit both of them. Amazing wines!

Kurt Hain Riesling Auslese Goldkapsel 2009 Mosel
2 months open. By comparison, this is pure infanticide - a 2 year-old wine that probably needs a good 10 or 15 years to really get into its stride. It is highly-perfumed, evoking spring flowers, freshly-crushed grapes, mandarin and apricot, whilst the palate is packed with intense, ripe, youthful, minerally Riesling flavours (typical of this, another great vintage). It is a lovely wine, with a great future ahead of it, but doesn't (yet) match the greatness of the above 2 wines. But give it a few years......... 7.5% abv.

Then to some full-on dessert wines......... 

2 months open. My goodness, this is a real turn-up for the books. When I first opened this bottle, I had marked it down as a wine possessed of a fabulous level of concentration and intensity, though possibly at the expense of a little of the eye-watering acidity and minerality of previous vintages. But I was wrong, for after a full 2 months of air, the concentration is still there - along with a definite whiff and flavour of honeyed botrytis - but that trademark acidity and intense minerality has come to the fore. So much so that we are very definitely back in mouth-watering territory again (I think there is a theme developing here)! If you want the complete low-down on this wine, then read the note on my website, but be sure to add a couple of extra marks onto what you read, courtesy of the development afforded by those 2 months of air. Simply stunning wine - and if you want some, it will set you back a mere £17.50. And that is for a 75cl bottle! 13.0% abv.

Andrew Quady Essensia Orange Blossom Muscat 2008 Madera, California
I honestly have no idea how long this has been open, but it may have been sitting on the kitchen worktop for as much as a year. OK, so it is no longer youthful or overtly fruit or "Muscatty", but it is still an enjoyable drop. A definite and quite cloudy amber colour, with lots of sediment, but with oodles of Seville orange marmalade aromas and flavours, notes of dried apricot, fig, root ginger and toffee, with a slightly madeirised tang and still plenty of acidity. Sort of Tokaji-meets-Muscat de Rivesaltes. Very enjoyable, with some decent complexity. 15% abv (but not fortified, as far as I know).

Mullineux Straw Wine 2009 Swartland, South Africa
On the other hand, I can say exactly how long this one has been open, because I reviewed it 10 months ago in February 2011. Back then, I wrote "I was expecting sweet and sour and tangy, but all I get is sweet." Well now I get the "tangy", for the acidity has finally managed to cut through some of that gargantuan sweetness. Don't get me wrong, it is still uber-sweet - and still almost too sweet for my palate - but the flavours have begun to meld together into something altogether more interesting, with those intense, marmalade and treacle flavours augmented by flavours of bonfire toffee, dates, figs, apricots (in fact, all manner of preserved fruits). And of course, 10 months-worth of oxygen, which has worked wonders for the (previously non-existent) level of complexity, not to mention the colour, which was treacle then, but is molasses now. And it is still possibly the sweetest wine I have ever tasted, which definitely needs more time - and lots of it. If I had another bottle, then I would tuck it away to enjoy on New Year's Eve - 2061. 8.0% abv.

Chateau Rives-Blanques Lagremas d'Aur Vendange d'Hiver 2006 Vin de France
5 months open. A blend of Chenin Blanc and Mauzac, harvested in winter. Although it still has some winey notes, it also has some tertiary, slightly cheesy notes (not unusual in Chenin-based wines) and a touch of candied white fruit. To be honest, the palate has lost some of its zest and fruit, though it still has decent length and a nice warm, slightly tangy finish.

Domaine d'Archimbaud Vendange d'Automne 2006 Vin de France
One month open. 100% Bourboulenc, a variety peculiar to the Languedoc, harvested in late autumn. I've written enthusiastically about a previous bottle of this wine, which had actually been open for much longer than a month, so this one only serves to confirm what I previously said, which is basically that it is a sublime wine, which benefits greatly from weeks (or even months) of air. Cracking stuff, and I can sell you some at the extremely reasonable price of £14.95. 14.0% abv.

And finally, a selection of fortified wines.........

Morris Liquer Muscat NV South Eastern Australia
6 months(?) I've always had a soft spot for this sort of wine, which is a speciality of quite a few growers in the region of Rutherglen, Victoria. This one, though, is labelled as South-Eastern Australia - always a bad sign, in my book, as it indicates a pretty generic wine, with grapes sourced from all over the place. It was a bit boring when I opened it and it is a bit boring now, with barely-adequate acidity, some figgy, pruney notes and toffee - but zero interest. It's a shame I have another bottle to get through. 17.5% abv.

De Bortoli Show Liquer Muscat NV South Eastern Australia
Possibly a year? This is a bit more like it - deep amber/brown and amazingly viscous, with intense flavours of marmalade, coffee, a hint of bitter dark chocolate, lots of Oloroso-like intensity and tanginess and a decent shot of orangey acidity. It isn't hugely complex, but it isn't cloying either. It hits the spot with a generous, spicy warmth and lingering, rich, marmalade and christmas cake flavours. A very decent drop, which shows no sign of deterioration. 18.0% abv.

Cave de Paziols Villa Passant Rivesaltes Hors d'Age 1989
3 months(?) I could be wrong (though I can't be bothered to look it up) but I thought "Hors d'Age" was a term for a blend of wines from different vintages, aged for a good number of years before release. But this one says 1989, so I can only assume it is from that vintage. It has held up well - even more so, considering the bottle was opened 2 or 3 months ago. As Rivesaltes go, this is a decent one, perhaps just turning a touch cheesy, but still with lots of nutty/tangy/rancio aromas and flavours, fruitcake, citrus and maybe even a hint of coffee. Oh, and excellent acidity - a pre-requisite in any good sweet wine. Not a great wine, but a very decent one. 15% abv.

Domaine Sol-Payré Terre de Pierres Rivesaltes Hors d'Age
Open for 6 months. No vintage shown on this one, which I bought whilst on a visit to the grower (whose red wines have of course been a mainstay of my list for a good few years). I can't honestly say that Rivesaltes is my favourite style of fortified wine - with it's extreme "rancio" aromas and flavours and distinct lack of grapiness, it feels like a bit of a halfway house between a dry Oloroso Sherry and a sweet Port and (despite the relatively low alcohol level) always seems a touch on the hot side. This is clearly a fine example of its kind, but possibly lacks the mellowness only found in the very best examples. There's plenty of body and burnt marmalade richness, together with a nice core of tangy acidity, and it is very long, but it lacks the real charm I am looking for. I suspect that some people would really love it (and I suppose I really ought to sell it) but I can't bring myself to give it a glowing write-up. Though having said that, it is better now than when I first opened it, so I suspect it will be rather good in another 10 or 20 years(!) 15.5% abv.

Mas de Lavail Expression 2008 Maury
6 months open. This wine, on the other hand, never fails to excite me. Like the pair of Rivesaltes above, it is made from 100% Grenache, and is actually slightly higher in alcohol at 16.0% abv, but it is so deliciously fruity and alive. The reason being that it is made by a process known as "mutage sur grains". Basically, the fully-ripe grape must is fermented just short of a normal dry wine, before the addition of a dollop of grape brandy, which stops the fermentation in its tracks. This results in a classic vintage Maury with some residual sweetness, but plenty of acidity and a warming hint of alcohol. Getting it just right can be a bit of a balancing act, but when done well, it makes for a style that is wonderfully hedonistic, yet not without subtlety - a wine just like this, in fact. It is pretty rich, with amazingly concentrated bramble and black cherry fruit and Christmas cake aromas and flavours, together with firm but ripe tannins and a warming coat of spicy alcohol, but it also possesses a backbone of deliciously juicy acidity, in a sweet/sour/tangy wine of real interest, depth and complexity. Several months on, some of the overt fruitiness has given way to an attractive savouriness, which makes it possibly - nay, definitely - even more enjoyable and complex than when first opened. Even after all that time, it is a gorgeous drink, and very long too. It also just happens to be just about the perfect Christmas wine. To my mind, this is a very special wine and is one of the top 5 bargains on my list at just £15.25.

Bacalhôa Moscatel de Setúbal Colheita 2005
2 months. Again, I sell this one, so I won't bore you with an identical tasting note, as it hasn't changed one bit in 2 months - and it is still completely yummy! I sell it for the rather ridiculous price of £12.95 (again, for a full 75cl bottle).

Quinta do Vesuvio 1992 Vintage Port
6 months(?) Somebody brought this to the Nottingham Wine Circle a good few months ago and - though I have never been a huge fan of Port - it was rather special. Perhaps even amongst the best 2 or 3 Ports I have ever tasted. Several months down the line, it is managing to hang on rather well - still a touch alcoholic (one of the things that I least like about Port is that it always seems a bit to spiritous) but still with plenty of juicy, complex black and red fruits, vanilla, spice, fruitcake and toffee, with a hint of savouriness/meatiness and a very long, warming finish. I once read a comment by someone who said that vintage Port should be consumed within a few hours of opening, to which I say "Poppycock"! This is not quite as fresh as the day it was opened, but is still just as complex and enjoyable.

So there you have it. As long as a sweet wine has something to preserve it - be that residual sugar, tannin, acidity, or all of these things - as well as a modicum of structure and complexity, it can provide enjoyable drinking for weeks, or even months, after opening. You heard it here first!
          

Sunday, 25 September 2011

3 new wines just arrived

It's been a busy week (with yet another one ahead) during which I finally got my hands on some new wines from south-west France and Roussillon. I'll be adding them to the website over the next few days, as and when I have had the chance to write my tasing notes. It's a dirty job having to taste them all, but someone has to do it! Here's my notes on 3 of them, tasted over the last couple of evenings......

A blend of 50% Gros Manseng, 10% Petit Manseng, 40% Courbu, aged on its lees for 6 months before bottling. This is the latest vintage of what used to be called (rather confusingly for us English) "La Rosée de Montesquiou" (rosée is actually French for "dew"). It is an ultra-pale straw/gold colour, with a lovely nose of citrus, honeysuckle and herbs and a whole load of Manseng varietal minerality - really tight, and focused - as is the palate, which is crammed full of lime and tree fruit flavours, mineral nuances and enough acidity to refresh the most jaded of palates. The flavours are intensely fresh and focused, zingy rather than pithy, with just a hint of richness and plenty of concentration. The finish is long, cool and utterly mouth-watering. This really is a complex, classy and truly delicious expression of its terroir. If you appreciate delicate, nervy whites – light and fresh on the palate, yet with tremendous depth and complexity - then you will you will appreciate this wine. Furthermore, whilst it is wonderful to drink on its own, it is also a superb match for all manner of foods. Steamed salmon or other fish dishes, seafood platter, lemon-infused chicken or a mixed salad with (say) chicken livers all spring to mind. We had it with a sweet and sour pork and vegetable stir-fry and it was a match made in heaven. It is wonderful to drink now, but there is certainly no rush. If we had to recommend just one dry white wine from our list which provides brilliant quality and value in equal measures, then this would be it. 13.5% abv. £10.50

Mainly Mourvedre, with a little Syrah and Grenache, aged in oak barrels for 18 months. A medium-dark purple core, semi-opaque, leading to a small deep red rim. The nose offers intense bramble, leather, iodine and tobacco aromas, with background notes of crystallised fruits and flowers - notably violets and elderflowers. The sheer weight of ripe fruit flavours in this wine makes it surprisingly approachable now, because the tannins are so beautifully ripe. As with previous vintages, there is a tremendous depth of fruit on the palate and the flavours are long, complex and rich, with excellent acidity. A wine of real stuctureand absolute class. Another beautiful Motus, which is every bit as good as it's predecessor vintages. 14.0% abv. £14.95

50% Syrah, 30% Grenache, 20% Mourvedre, again aged in oak barrels for 18 months. Medium/dense bright purple colour with a narrow cherry-red rim. The nose exhibits complex aromas of black cherries and bramble, with beautifully integrated notes of curry spices, cloves, cedar/cigar box and citrus. The palate is concentrated, yet fresh and giving, with juicy red and black fruit, spice and garrigue herb flavours. The tannins are grippy but very fine and already nicely integrated, whilst the tangy acidity keeps it all nicely fresh. This is the third vintage of Tahi, and whilst the 2006 demands more time and the 2007 is a little softer and more forward, this one really seems to have hit its stride already. Then again, it almost seems a shame to drink it so young. The back label says "to enjoy from 2010 to 2020" and I wouldn't disagree, because it is a wine which is approachable enough to enjoy in its youth, whilst also having the structure to age and evolve for another 10 years. But you pays your money and you takes your choice - and either way, it is an absolute cracker. Yet another benchmark Roussillon wine, which leaves me running short of superlatives! 14.0% abv. £17.75

Thursday, 2 December 2010

New Jurançons from Domaine de Montesquiou, plus a couple of lovely Languedoc reds

The arrival of the latest Jurançon vintages from Domaine de Montesquiou is always one of the highlights of my year, so when they finally arrived at the bonded warehouse last week, I was eager to get my hands on a bottle of each, to taste and enjoy over the weekend. And enjoy them I did! Here are my notes;

70% Gros Manseng and 30% Petit Manseng, aged for 11 months in oak barrels. This shows richness on the nose, with aromas of baked apples, honey, brioche and spice. The palate is nicely rich, too, with a hint of oiliness and flavours of apples and lime zest, tangerine and a barely perceptible touch of oak. It is also made in a slightly more oxidative, ripe, even opulent style than the 2009 below - more Rioja/Rhone in style, to the 2009's Burgundy style. A lovely wine. £12.50.


70% Gros Manseng and 30% Petit Manseng, aged for 11 months in oak barrels. This is quite different from the 2008. Were I tasting it blind, I might just mistake it foir a very young white Burgundy, with its aromas of peach and apricot combined with herbs, smoke and very subtle oak. The palate is less rich and more tightly-structured than the 2008, lemony rather than limey, and with huge mineral depth. It is a bit like a supercharged version of La Rosée de Montesquiou (a cuvée not made in 2009) and certainly has a lot more to give in the next year or two, whilst I would expect it to peak in perhaps 5 years. It is a really lovely wine, and makes for a fascinating comparison with the opulent 2008. £12.50.

100% Petit Manseng, aged for 11 months in oak barrels. A vivid 24 carat gold colour with orange glints. The nose has complex aromas of honey and woodsmoke, with hints of toasted brioche, cinnamon, clove and a touch of oak vanillin. And that is before I even mention the fruits! As ever, this wine is complex in the extreme, with notes of apricot, apple, mango, orange and lime oil. And the palate sure matches the nose, with all of the above coming into play, along with subtle spice and toffee notes. It has a beautifully rich, oily texture in the mouth, and the flavours coat the palate and linger for an age. And then, of course, there is that wonderful, searing lemon and lime acidity and minerality, the like of which (in my opinion) is unrivalled by any other sweet wine style in the world, and balances the richness so perfectly - a more finely poised sweet wine is hard to imagine. Although the grapes for this wine are not harvested until deep into November (and occasionally December) botrytis is not necessarily a classic Jurançon trait, since the region is only occasionally visited by the autumn mists necessary for the growth of this particularly (sweet wine-friendly) fungus. And yet this particular vintage displays many of the hallmarks of a somewhat botrytised harvest, with its intense honey and apricot notes. When I first opened a bottle, I considered it to be almost as good as the outstanding 2004 and 2007 vintages. But now, a full 6 days after opening, it is so spectacularly good that I have no doubt whatsoever that it is the finest vintage I have tasted - it is utterly, utterly brilliant! £16.99.

Hot on the heels of the Jurançon pallet came 2 pallets of wines, from no less than 4 different Languedoc growers (or 6, if you include some lovely Corbieres and another delicious Faugères find from the negociant arm of my friend Brigitte Chevalier's stable of wines). These arrived on Monday, so I hot-footed it up to Rotherham on Tuesday, to collect some stocks. There was already 6 inches of snow in Rotherham by then, and I returned home to find just as much had been dumped where I live, to add to the inch or two we'd had over the weekend. I'm now busy tasting through some of these wines and preparing the notes for my website, so will be posting them here, in the coming days. Frankly, there's not a lot else to do, whilst we are well and truly snowbound! Here's a couple of delicious new reds for starters;

55% Syrah, 25% Grenache, 10% Mourvèdre, 10% Carignan, aged in vat. Medium raspberry/purple colour. The aromas are beautifully fresh and vibrant, suggesting bramble, blackcurrant, plum and orange, with background notes of cinnamon and oregano. The palate is similarly fresh and juicy, crammed full of fresh and crystallised bramble fruits, a touch of black cherry, creamy vanilla and a delightfully fresh, orangey acidity. The tannins are beautifully soft and velvety and there is just a hint of spiciness to the finish. This is a really nice wine, and a fine introduction to the wines of the Faugères appellation. It isn't serious, but it is seriously soft, refreshing, food-friendly and very more-ish! £8.95.

70% Grenache and 30% Syrah. A bright, medium-deep ruby red colour, with an expressive nose of plum skin, cherry and raspberry, a hint of tar and woodsmoke, and pronounced herby aromas (notably thyme and rosemary). The palate is beautifully fresh and fruity, with bags of red and black fruit flavours, soft spices and herbs, supple tannins and a refreshing streak of orange-tinged acidity. From one of the best growers in Corbières, this really is an attractive, elegant wine, which is lovely to drink now - but there's no hurry. £9.75.

More anon........
     

Wednesday, 9 June 2010

A few nice wines from the last week or so

I've been slack, this week, having not posted for 5 days. I've not been lazy - honest, Guv - I've just been too busy with lots of other stuff. So here's a round-up of some interesting wines tasted and/or consumed over the last week or so, beginning with an interesting quartet from just another week at Nottingham Wine Circle.

Meursault-Genevrieres Cuvée Philippe-Le-Bon 1984 Hospices de Beaune
Yellow/gold and perhaps turning just a bit oxidised, but still hanging on nicely. Rich, lemony, mineral and just so Burgundy! Nice grip and nice length - a lovely old wine.


Bonnezeaux 1980 Rene Renou
This was a stunner - petrol, lime oil, wet wool and slate on the nose. On the palate, it had such amazing acidity, with the sweetness just beginning to fade, revealing a herby, slatey, zingy wine with gorgeous lemon and lime flavours. Lots of secondary/none wine-specific things going on too. 30 years old and just perfect.


Bourgogne Rouge 1990 Madame Leroy
Earthy, smoky, still very fruity, with forest fruits and undergrowth - a glorious perfume. Complex and still fruity on the palate. Elegant and very feminine. A glorious example of a "basic" Burgundy from a top, top grower, which is just fantastic to drink now, but with years of life left in it.


Corton-Pougets Grand Cru 1991 Louis Jadot
If it hadn't followed the above wine, this one might have stood out more - but it paled in comparison somewhat. Smoky, secondary, earthy. Bigger and less refined than the Leroy, though still a very enjoyable old Burg.

Carrying on the Pinot theme at home the following evening, I opened this little beauty. The colour is ultra-pale for a red wine - almost a deep-ish rosé, in fact, with hints of ruby and tawny. The nose is spectacular - wild strawberries and raspberries, with notes of brioche and rotting leaves, cinnamon and herby nuances. There is a hint of woodiness, but at the cedar end of the spectrum, rather than full-on oak, suggesting careful use of older barrels.The palate is a mélange of strawberry, raspberry and peach, with even a hint of lychee, all coated in a big dollop of fresh cream - a wonderful combination. What tannin remains is like velvet, and there is plenty of mouth-watering acidity (bordering on VA, which is just fine by me). A wonderful wine, from a wonderful grower. Incidentally, it actually goes brilliantly with milk chocolate!
Available on my website at £21.50.


Domaine de Montesquiou Jurançon Sec 2005
Some fabulous weather last weekend made me crave for something zingy and refreshing, but just a little bit serious - and Jurançon Sec fit the bill. This has turned a lovely golden colour, shiny and limpid. The nose is quite beguiling, offering a combination of lime zest, marmalade, honeysuckle, oregano and wet stone – you really can smell the minerality. The palate has a certain richness of flavour, with subtle hints of toffee and honey, yet is so zingy, lemony and laser sharp that it remains brilliantly focused and tightly-knit. It really is intense, mouth-watering stuff, and actually seems to have a good few years of development left. It also happens to be an excellent advert for DIAM corks – the one in this bottle remains in perfect condition and has obviously done a great job in preserving the wine. All-in-all, this wine provided a lovely surprise and a wonderful pick-me-up on a balmy early summer’s evening. What a shame it was my last bottle!


Heathfield Ridge Patrick Cabernet Sauvignon 1998 Coonawarra
After presenting a tasting of my wines to a local group, I popped into the Lincolnshire Poacher, to see a couple of people at the Wine Circle and stayed to sample a few of the wines in the weekly "bottle blind" tasting. There were some nice wines, but one that appealed to me in particular was this lovely Coonawarra Cab. Which is surprising, because I don't have much time for Australian wines, these days. But this one isn't a big blockbuster. It screams Coonawarra, simply because it possesses a relatively light touch, in that it has some elegance and bags of acidity (along with the ever-present mint and eucalyptus leaf aromas and flavours) and even a refreshing touch of "greenness". There's plenty of tangy, almost red cherry fruit, with a bit of blackcurrant, and lots of leafy, earthy flavours. There is some oak influence, but it is relatively subtle and restrained. Some of the others didn't care for it, but for me it made a refreshing change from the (usually) 90-odd percent European wines we tend to taste at the Wine Circle and it had a good degree of elegance and charm. Sometimes one simply has to appreciate that Australian wines are, well..... Australian. Put simply, no other county makes wines like them, and there are obviously still a few Aussie wines out there to please even the most conservative of palates - and this one certainly pleased me. I must try more Australian wines.

Diane and I are off to France tomorrow, for a well-earned holiday, leaving the house in the "capable" hands of my boys. I just hope we have a house to come back to after they've finished with it!

Keep watching, as (Internet access permitting) I'll be posting plenty of stuff to do with both wine and the places/people we'll be visiting.
  
 

Friday, 9 April 2010

Some thoughts on Biodynamic viticulture and "natural" wines

At this week's gathering of the Nottingham Wine Circle, I presented a tasting of a dozen or so biodynamic wines from four growers on my list - Rolly Gassmann, Domaine de Montesquiou, Mas Foulaquier and Domaine de La Marfée. This isn't a report on the actual wines that we tasted - although they were very well received and I think the overall quality surprised a lot of people. One thing is for sure, though - whatever the merits of each individual wine (and I, of course, love 'em all), every single one was clean, pure and full of vibrant fruit. It was no surprise that the Rolly Gassman wines (a 2002 Pinot Gris and a 2004 Riesling) went down so well, as Alsace is a popular region amongst the Wine Circle members (and the wines really were on song). Similarly, the Domaine de Montesquiou wines (the bone dry Rosée de Montesquiou 2008 and the beautifully sweet, yet intensely zingy Grappe d'Or 2004) have always proved popular with the group. And my new wines from Pic Saint-Loup grower Mas Foulaquier were pretty well-received, with the top wine, Gran' Tonillieres 2006, proving the most popular (a serious wine, which will go for 10 to 15 years, according to some).

But the undoubted stars of the evening were the wines of Domaine de La Marfée. Although the white Frisson d'Ombelles 2007 was again a definite jury-splitter (some think it has too much oak - I think there is a great wine lurking in there, so let's see what a few years in bottle will do) the reds were universally popular. In fact, they were more than popular - I sensed that many of those present were extremely impressed, and they are a difficult bunch to impress, believe me!

Although this was, of course, a tasting designed to showcase the merits of biodynamic viticulture, I was also at pains to point out the fact that some of the wines were made with low - or even very low - levels of sulphur. Mas Foulaquier, in particular, uses no sulphur in the vineyards and none in the actual winemaking process. Even at the bottling stage, the amount of SO2 (sulphur dioxide - a preservative) used in the Mas Foulaquier wines is just 10 to 30 mg per litre (the maximum permitted by EU regulations is 180 mg/litre). Bearing in mind that so-called "natural" wines must contain 10 mg/litre or less of SO2, the wines of Mas Foulaquier are as close to qualifying as "natural wines" as can be, without actually doing so. I use inverted commas because - as far as I am aware - there are no hard and fast rules or regulations (i.e. no official regulatory body) for natural wines.

Moving away from the subject of the actual tasting (if you want to see my thoughts on the wines, my full tasting notes are all on my website) this subject brought to mind two separate occasions when I tasted Frank Cornelissen Munjebel 4 2006/7 Etna, Sicilia. Now this is very definitely a "natural" wine - i.e. no sulphur at all. The first time I tasted this wine it was utterly delicious - full of all sorts of faults, but delicious in spite of (or do I mean because of?) them. That was in November 2009. Fast forward to March 2010 and I tasted another bottle - and thse faults had completely and utterly consumed the wine. In fact, it was no longer wine, it was vinegar - and, at around 20 quid a bottle, very expensive vinegar. Basically, the absence of SO2 had rendered it so unstable that it's ability to store for a few extra months (let alone age at all) had been completely eradicated. Don't get me wrong, I love a good dose of volatile acidity in my wine (I adore Chateau Musar!) but this was an acidic, volatile, totally unstable mess, with all traces of fresh fruit long gone. In fact, as one of the Wine Cirle members succinctly stated, "I wouldn't put it on my chips"(!)

The morethanorganic website, which sings the praises of natural wines (and seems to pretty much dismiss every other type of wine as inferior), does state that natural wines must be transported and stored at temperatures of no more than 14C, in order to remain fresh and stable. I'm not sure if that was the case with this particular bottle, but it had nevertheless fallen off its perch to such an extent that I resolved never to invest any of my own hard-earned money in any natural wines (I didn't buy this one) - unless I intended to drink them straight away.

All of this led me to start thinking more closely about sulphur levels in the wines I sell. The Mas Foulaquier wines are all fresh and clean as a whistle, so winemaker Pierre Jéquier clearly seems to have found a happy medium with his sulphur levels. So what of Domaine de La Marfée? Partly because of my experience with the Cornelissen wine referred to above, I entered into a flurry of email correspondence with winemaker Thierry Hasard, since I wanted to know how he achieved such amazingly fresh and "alive" wines and how much (or how little) intervention there was in his winmaking. Thierry is obviously a deep thinker and very passionate about his subject and, as a result, I learned an awful lot about the man and his winemaking philosophy. Here are a few of his thoughts, extracted from various parts of that correspondence (and used with Thierry's permission);

On using sulphur......
"Yes, I use sulphur in the vineyards because I dont know any other efficient biodynamic way of fighting against oidium (LS: mildew - even Languedoc is not immune, during rainy periods). Today everybody is claiming he is using very low sulphur in his wines. I would tell you the truth: it is very easy for me to sell wines claiming they have no sulphur because I use very little sulphur during the ageing in barrels. So, if anybody is asking me, before bottling, "sell me your wines like this" I can say :ok, no problem for me. The only question is who takes the risks related to the temperatures during transportation and conservation? I add, just before bottling, a quantity of sulphur in order to have "20 de libre" (I can't translate). (LS: I think he means 20mg of "free" SO2, which is the important bit that preserves the wine in bottle). I dont fine and I dont filter any of my wines."

On viticulture........
"If you look at my website, one photograph had been taken in autumn, and you can see grass because at that time we dont fight against the weeds. The other photograh had been taken in summer, at that time we manage to eliminate all the weeds we can. The need for ploughing depends on the weather conditions in spring and summer (rain/ no rain) (more rain = more grass) and on each parcel of vines (very stoney/ less stoney) (more stones = less weeds)."

One of the Marfée vineyards in July 2008 - more stones equals less grass (especially in summer)

Thierry Hasard applying a biodynamic preparation in a vineyard of old Syrah, Autumn 2008 -
- note the grass growing freely, due to minimum ploughing

On "natural" wines........
"To my mind, nature is the opposite of culture. Making wine is a cultural act. As a winemaker your job is not to let nature do what it intends to do: vinegar. As a farmer or a vinegrower your job is to cultivate, that means to observe the natural forces and processes and then to prove you have a human brain by doing what is necessary to have a good harvest. Look at what happens to vineyards which are not cultivated for one year : vines die and fruits are spoiled and not able to make a drinkable wine. Cultivating is a human invention. Wine is a human invention. Wine is the most cultural product in the world and that is the reason why it is so fascinating. Am I warming up ? I agree with one thing: I would prefer not to use SO2. It is almost the only product I use in my winemaking. That is the only thing. At that time I think it is not possible if I want to sell my wines all over the world. There are so many examples of "vins nature" completly spoiled. I also know that the addition of little quantities of sulphur is not so easy to detect in a blind tasting (I tried many times)."

On viniculture.......
"I dont use any industrial yeasts for any of the reds or for the Roussanne - that means for 95% of my wines. The natural yeasts of my Chardonnays never want to wake up even after 6 days - probably because it is the holidays when it is harvest time for chardonnays - so I am obliged to use industrial ones!"

So there you have it - a sensible, balanced, but passionate view on winemaking. And a sensible viewpoint on why no completely sane winemaker should indulge in "extreme" natural winemaking. Basically, Thierry intervenes as little as possible, but does so when absolutely necessary for the health of the vines - and the wines.

"Natural" winemaking is not a new concept (in fact it is as old as winemaking itself) but it is definitely in vogue, at the moment. In many ways, it is a noble concept, and I can see plenty more winemakers jumping on the bandwagon before it reaches its peak of popularity. And in an ideal world, all wines would be completely natural. But the fact is - let's be honest - natural wine is a flawed concept, fraught with danger at every turn. Once made, it needs to be either drunk pretty damn quickly, or stored in perfect conditions (and at constantly low temperatures). Any less and the result will inevitably be wines that spoil very quickly. But if I am going to spend good money on expensive wines, I want to be sure that they aren't going to be vinegar when the time comes to drink them.

I like vinegar (and make gallons of the stuff from leftover wine) but I prefer it on my frites, not in my glass.